Opera (6do encyclopedia)



Opera is a form of musical theatre that has its origins in Italy during the 16th century. It combines elements of music, drama, dance, and visual arts to create a complete theatrical experience. An opera typically features a cast of singers who perform the music and a storyline that is conveyed through their singing and acting. The music is usually accompanied by an orchestra, and the performance is often enhanced by elaborate sets, costumes, and lighting.

Early Development

Opera came into existence during the Renaissance period in Italy. The Florentine composer Jacopo Peri is often credited with creating the first operatic work, Dafne, in 1597. It was followed by other early examples, such as Euridice by Peri and Giulio Caccini, and L’Euridice by Claudio Monteverdi. These early operas were typically based on mythological themes and were intended to be a form of musical drama rather than purely instrumental music.

The popularity of opera began to grow throughout Italy in the 17th century, with the opening of the first public opera houses. It became a popular form of entertainment among Italian nobility, and soon spread to other parts of Europe, including France, England, and Germany. With the spread of opera, it evolved and changed to adapt to local tastes and cultural traditions.

The Classical Period

During the 18th century, opera underwent a transformation known as the Classical period. It was marked by a move towards a simpler, more elegant style of music and a renewed emphasis on the dramatic aspects of opera. The composers of the time, such as Wolfgang Amadeus Mozart and Christoph Willibald Gluck, created works that were more melodic and structured than the complex music of the Baroque period.

Mozart’s operas, such as The Marriage of Figaro, Don Giovanni, and The Magic Flute, are still popular today and are considered masterpieces of the genre. They represent a blending of the classical and romantic styles, with music that is direct and emotional.

Romanticism

The 19th century was marked by the rise of Romanticism, and opera reflected this shift in art and culture. The music of the Romantic era was characterized by its emotional intensity and expressiveness. Opera composers of the time, such as Verdi, Wagner, and Puccini, created works that were grand and sweeping, with epic storylines and lush orchestration.

Giuseppe Verdi’s operas, such as Rigoletto, La Traviata, and Aida, are among the most popular and frequently performed operas of all time. They contain music that is both powerful and emotional, with memorable melodies and stunning vocal performances.

Richard Wagner’s operas, such as The Ring Cycle and Tristan and Isolde, are known for their grandiosity and complexity. They feature complex themes and intricate musical structures that require a high level of skill and training. Wagner’s operas were also notable for their use of leitmotifs, which are musical themes that are associated with specific characters or ideas.

Giacomo Puccini’s operas, such as La Bohème, Tosca, and Madama Butterfly, are known for their lush, romantic music and emotional storylines. They feature some of the most beautiful and iconic arias in all of opera, including “Nessun Dorma” from Turandot.

Modern Era

In the 20th century, opera continued to evolve, with composers experimenting with new styles and techniques. Some composers, such as Benjamin Britten and Igor Stravinsky, created works that were more abstract and challenging than traditional operas. Other composers, such as Leonard Bernstein and Stephen Sondheim, created works that blended elements of opera and musical theatre.

Today, opera remains a popular form of entertainment around the world. It is performed in opera houses and theatres, as well as in outdoor venues and arenas. There are also many recorded and televised performances that make opera accessible to a wider audience.

Conclusion

Opera is a unique and powerful form of artistic expression that has captivated audiences for centuries. It combines music, drama, and visual art to create a complete theatrical experience that can be both emotionally stirring and intellectually challenging. While opera has evolved and changed throughout its history, it remains a vital and relevant art form that continues to inspire and engage audiences around the world.


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Andrew Lloyd Webber’s 43-year Broadway run ends after Bad Cinderella closes

Telegraph

23-05-11 17:41


Andrew Lloyd Webber’s production of Bad Cinderella is to end its Broadway run in June, after only four months. The closure is reportedly due to poor sales and bad reviews and will be the first time since 1979 that the composer has not had a production running on NY's Great White Way. The reviews in the US were notably poor, with the New York Times describing Bad Cinderella as “surprisingly vulgar, sexed-up and dumbed-down”.

https://www.telegraph.co.uk/world-news/2023/05/11/lloyd-webbers-broadway-run-ends-after-bad-cinderella-closes/
Operation Mincemeat: a Pythonesque wartime romp that doesn’t short-change the intellect

Telegraph

23-05-10 16:00


Operation Mincemeat, a new musical about the real-life WWII deception to mislead the Axis forces, has opened in London's West End. Directed by Robert Hastie, the show centres on a scheme to create false documents on a corpse and wash it up on a Spanish beach to fool the Germans into believing the British and Americans were planning to invade Greece and Sardinia, not Sicily. Operation Mincemeat, written by performer and writer troupe SpitLip, stars David Cumming, Natasha Hodgson and Zoe Roberts, plus Felix Hagan. It follows a similar production from Avalon in 2003, Jerry Springer: The Opera, which was highly acclaimed but controversial.

https://www.telegraph.co.uk/theatre/what-to-see/operation-mincemeat-fortune-theatre-review/
Russell Watson: English National Opera would be great for the north

The Independent

23-05-09 20:05


Singer Russell Watson has said the English National Opera could benefit from having a northern base, with Greater Manchester and Liverpool reported to be on the company's shortlist of five areas. The relocation is a condition for the ENO to receive a grant from Arts Council England. The north has a "vast array of classical venues and places where classical music is played", Watson said. Last year, the ACE proposed that ENO should lose its status as a national portfolio organisation, instead suggesting it receive a £17m grant over three years, but only if it left London and relocated by 2026.

https://www.independent.co.uk/news/uk/english-national-opera-liverpool-greater-manchester-salford-arts-council-england-b2335823.html
Premier defends Sydney Opera House snub for Charles III coronation

The Independent

23-05-09 15:08


The Australian state premier Chris Minns has cancelled plans to illuminate the Sydney Opera House as part of celebrations for the coronation of King Charles III. Critics have claimed that Minns put fiscal concerns ahead of maintaining the historical links between the UK and Australia. Minns, leader of the Australian Labor Party, denied this and said the rising cost of the illuminations and overuse of the iconic building had helped prompt his decision. Earlier this month, an image of the new king was projected on to the sails of the house in celebration of his platinum jubilee.

https://www.independent.co.uk/news/world/australasia/sydney-opera-house-charles-iii-b2335434.html
The opera singer who hasn’t quite left his heavy metal days behind

The Sydney Morning Herald

23-05-08 19:30


Australian tenor Shanul Sharma, who has experience singing everything from Bollywood to heavy metal and opera, is poised to perform one of his life’s most significant challenges to date: playing the role of Mahatma Gandhi in Philip Glass’s opera Satyagraha. The work tells the story of Gandhi’s Indian resistance to colonial British rule in the 20th century and responds in part to events including the assassination of Martin Luther King Jr. With the opera posed to be streamed live in virtual reality, the appeal of Satyagraha is likely to have global reach. Sharma’s time as a heavy metal singer, a genre he says helped him combine the stamina required for operatic performance with his love for the more punchy and immediate sound of rock, also encourages an audience to come to the work from different musical backgrounds.

https://www.smh.com.au/culture/opera/the-opera-singer-who-hasn-t-quite-left-his-heavy-metal-days-behind-20230507-p5d6e0.html
We were bold enough to build the Opera House. Now for an encore

The Sydney Morning Herald

23-05-16 09:30


As Sydney’s most iconic piece of cultural infrastructure, the Sydney Opera House, prepares to mark its 50th anniversary, the venue’s chief executive if Sydney could build something as bold as the Opera House today. Sydney lacks suitable theatre infrastructure for the best theatre productions, leading to reports that Sydney needs more cultural infrastructure to keep the audience in its own place. Sydney must create more cultural sites to establish itself as a world-class destination, especially after the loss of the Regent Theatre in 1988 and Her Majesty’s Theatre in 2000.

https://www.smh.com.au/culture/theatre/we-were-bold-enough-to-build-the-opera-house-now-for-an-encore-20230516-p5d8ov.html
Sonja Frisell’s lavish staging of Verdi’s ‘Aida’ ends its 35-year-run at the Metropolitan Opera

Associated Press

23-05-16 16:44


Sonja Frisell’s production of Verdi’s ‘Aida’ will see its 262nd and final showing on May 6th at New York’s Metropolitan Opera. Frisell became fascinated with the story of the Ethiopian princess and Egyptian military captain as a child growing up in England, and directed her own staging in Rio de Janeiro in 1986. Her mammoth staging, the second-most performed production in the opera house’s 140-year history, will be succeeded by Michael Mayer’s production in the 2024-25 season, with sets by Christine Jones and projections by Michael Grimmer of 59 Productions.

https://apnews.com/article/sonja-frisell-verdi-aida-metropolitan-opera-7e19b8e250b77ad9f78369feafe0a15a
Opera Australia executive payments increase by half amid turmoil

The Age

23-05-16 14:01


Executives at Opera Australia have received an additional A$1m ($724,000) over the past year, driving the company into a deficit of A$447,878, according to recently released financial statements. The higher payment to 12 employees on the executive team came amid claims of a toxic culture within the company that led to several high-profile resignations. The statement shows the compensation paid to key management personnel rose by 46% YoY. CEO Fiona Allan asked observers for calm, adding: “none of us are authorised to speak about that”. The company is now looking at ways to manage increasing costs.

https://www.theage.com.au/culture/opera/opera-australia-executive-payments-increase-by-half-amid-turmoil-20230511-p5d7pb.html
Deborah Warner on the anarchic, disturbing masterpiece that made her fall in love with opera

Telegraph

23-05-17 06:00


Director Deborah Warner has spoken to the Telegraph about revisiting her production of Alban Berg’s Wozzeck, to be staged at the Royal Opera House (ROH) nearly 30 years after the first performance in Leeds. The production tells the tale of a man exploited by those in power who must overcome a brutalising society. Described as “one of the great masterpieces of the 20th century,” Warner says that the opera is “so immediate, compelling, anarchic – the work of an impassioned 23-year-old.” The production features cutouts by designer Hyemi Shin. Commenting on the design, Warner said: “Hyemi’s painted backdrops will be exquisitely beautiful – and not what you expect from Wozzeck.”

https://www.telegraph.co.uk/opera/what-to-see/deborah-warner-wozzeck-royal-opera-house/
As Australia slept, the Quad summit fell apart

The Sydney Morning Herald

23-05-17 09:25


US President Joe Biden cancelled his planned visit to Australia, following a decision to reduce the length of his Asia trip in order to focus on negotiations with the Republican party over raising the federal debt ceiling. His decision forced the cancellation of the Quad leaders summit, scheduled for 20 October in Sydney. The meeting would have brought together presidents Biden and Fumio Kishida of Japan, Australian Prime Minister Anthony Albanese and India's Prime Minister Narendra Modi to discuss regional security and other issues.

https://www.smh.com.au/politics/federal/as-australia-slept-the-quad-summit-fell-apart-20230517-p5d955.html
Deborah Warner on the anarchic, disturbing masterpiece that made her fall in love with opera

Telegraph

23-05-17 06:00


Director Deborah Warner has spoken to the Telegraph about revisiting her production of Alban Berg’s Wozzeck, to be staged at the Royal Opera House (ROH) nearly 30 years after the first performance in Leeds. The production tells the tale of a man exploited by those in power who must overcome a brutalising society. Described as “one of the great masterpieces of the 20th century,” Warner says that the opera is “so immediate, compelling, anarchic – the work of an impassioned 23-year-old.” The production features cutouts by designer Hyemi Shin. Commenting on the design, Warner said: “Hyemi’s painted backdrops will be exquisitely beautiful – and not what you expect from Wozzeck.”

https://www.telegraph.co.uk/opera/what-to-see/deborah-warner-wozzeck-royal-opera-house/
King and Queen meet old friends and new in London’s Covent Garden

The Independent

23-05-17 14:03


The King and Queen of the UK visited Covent Garden in London on Wednesday, marking their first joint engagement since the coronation weekend. The visit to St Paul’s Church marked its 390th anniversary, with the couple meeting an actors’ group and domestic violence survivors participating in a Drama for Healing project. The King and Queen then moved to Covent Garden, where they spoke to stallholders, performers and schoolchildren and watched a Punch and Judy show. They concluded proceedings by meeting opera students and choirs from the Royal College of Music and the Royal College of Art.

https://www.independent.co.uk/news/uk/covent-garden-the-king-camilla-london-royal-shakespeare-company-b2340659.html
Caroline Polachek: ‘Beyoncé told me: Girl, that beat is hot’

Telegraph

23-05-20 09:00


Caroline Polachek has been making music in public for almost 20 years. From fronting experimental Brooklyn band Chairlift, to writing beats for Beyoncé, and collaborating with such colourful left-field pop stars as Christine and the Queens, Grimes, and Charli XCX. Since going solo in 2017 Polachek has accomplished a daring shift towards the mainstream through a combination of vividly original songwriting and extraordinary vocal ability with the glossy values and slick visuals associated with commercial chart pop. Her aim, she tells me, is to create music that is “a bit unhinged and chaotic,” adding, “like life”.

Her most recent album, Desire, I Want to Turn into You, met universal acclaim, hailed by Rolling Stone as “what happens when pop sets out to transcend its own limits”. Caroline attributes this late-blooming success to a change less in her approach to music than in the wider perception of it. “Coming up in a band on the Brooklyn scene, everything I did was seen through the lens of DIY ‘indie rock’,” she says. “No matter how pop or polished our music became, the industry refused to view it any other way. I felt a lot of freedom going solo, to finally be seen without that kind of thick, distorting lens.”

As a live act, she is something else: unafraid to use provocative costumes or her physicality to put across her music. Caroline believes we can all benefit from “living vicariously through experiencing another human being doing something well, which is why it’s so thrilling to watch figure skating or listen to opera. By witnessing, we have an extraordinary sensory level of empathy. I think about the way I present my body to express tension, or sensuality, or things that feel alien.”


https://www.telegraph.co.uk/music/artists/caroline-polachek-interview/

This year’s unexpected must-have accessory is straight out of the Queen Elizabeth playbook

Telegraph

23-05-20 08:00


Opera gloves, stretching past the elbow, have become the must-have accessory for 2022. Celebrities such as Emily Maitlis, Rosie Huntington-Whiteley and Billie Piper have embraced the trend and opera gloves frequently appear amongst Beyoncé's outfits for her Renaissance tour. Genevieve James, whose company Cornelia James once exclusively supplied Queen Elizabeth's gloves, credits the costume drama trend, spurred on by shows like Downton Abbey and Bridgerton, as leading the resurgence of evening gloves. Paula Rowan, another glovemaker, described elbow-length gloves as a way to "finish" an outfit and a great way to add a pop of colour while transforming a look.

https://www.telegraph.co.uk/fashion/style/glyndebourne-must-have-fashion-accessory-opera-gloves/
Wozzeck, Royal Opera House: Alban Berg’s dark opera feels pressingly modern

Telegraph

23-05-20 17:59


Deborah Warner's production of Alban Berg’s Wozzeck has opened at the Royal Opera House. The opera, which premiered almost a century ago, still has a modern relevance with themes of poverty, emotional fragility and the brutal world. The new interpretation is described as feeling timeless, with references to urination in the libretto taken seriously. Conducted by Antonio Pappano, Christian Gerhaher gives a chilling performance as Wozzeck, the hapless soldier humiliated by the world. Anja Kampe also reflects the opera's subject matter with her portrayal of Marie, who is stripped of her self-esteem and subjected to domestic violence.

https://www.telegraph.co.uk/opera/what-to-see/wozzeck-royal-opera-house-review/
Don Giovanni, Glyndebourne: outstanding performances let down by ludicrous staging

Telegraph

23-05-20 19:14


Opera lovers have been treated to a myriad of productions of Mozart's Don Giovanni, which celebrated its 230th anniversary this year. Described as one of the finest productions for years, Glyndebourne's version of Don Giovanni, which tours the UK until late July, features a youthfully engaging cast and fine conductor Evan Rogister. The orchestra of The Age of Enlightenment, specialists in music of the Baroque and Classical periods, provides sonorous and inspired accompaniment to a production that albeit may be "a potentially fine show, but one that, at present, doesn’t add up,” the Financial Times noted in a review.

https://www.telegraph.co.uk/opera/what-to-see/don-giovanni-glyndebourne-review/
Wozzeck, Royal Opera House: Alban Berg’s dark opera feels pressingly modern

Telegraph

23-05-20 17:59


Deborah Warner's production of Alban Berg’s Wozzeck has opened at the Royal Opera House. The opera, which premiered almost a century ago, still has a modern relevance with themes of poverty, emotional fragility and the brutal world. The new interpretation is described as feeling timeless, with references to urination in the libretto taken seriously. Conducted by Antonio Pappano, Christian Gerhaher gives a chilling performance as Wozzeck, the hapless soldier humiliated by the world. Anja Kampe also reflects the opera's subject matter with her portrayal of Marie, who is stripped of her self-esteem and subjected to domestic violence.

https://www.telegraph.co.uk/opera/what-to-see/wozzeck-royal-opera-house-review/
Sydney Opera House points spotlight at sails illumination guidelines

The Sydney Morning Herald

23-05-21 07:00


The Sydney Opera House has conducted its first review of the number, frequency and duration of projections on its sails. It comes after a record number were lit in 2022. About three-quarters of the 19 projections were government requests. The shells have come to be regularly lit for reasons of national days of significance, international festivals and in Australia’s soft diplomatic interests. The review's findings will now be considered by the Arts Minister. The Opera House currently allows for projections for artistic, cultural and community initiatives, with no commercial logos or corporate identities allowed.

https://www.smh.com.au/culture/art-and-design/sydney-opera-house-points-spotlight-at-sails-illumination-guidelines-20230508-p5d6n2.html